2018-2019 Public Sculptures

I combine geometric and organic elements to create compositions that convey the implied energy found in my work. I use the abstract manipulation of form and shape in space to create visual balance, using rhythm, action and movement. The implied energy of my compositional structures has become a hallmark of my work and is a metaphor for an evolutionary process that I associate with human experience. Through the creative -process a hierarchy of elements become symbols for ideas that are a tribute to the evolutionary experience we all share in common on the human plane and in the transcendent experiences inherent in life’s journey.

A “whisper bench” with morning glory flowers as inspiration. My benches are playful objects that invite interaction with the passer-by. Though they function as seating, there is an impracticality of form that lures people to explore each bench. My benches are practical yet also tell the visitor a story by creating a sense of place and often inviting interaction with the bench itself.

*The City of Fredericksburg purchased this piece.

My sculptures tend to have a strong sense of motion. I am intrigued by motion or, more accurately, the paths taken by objects in motion. I love to let my eyes trace the path of a bird swooping through the air or a fish gliding through water. A successful sculpture invites the viewer’s eyes to follow its contours and explore its form in a similar way.

In many pieces I merge curvilinear, organic forms with geometric forms. The combination can seem surprising or contradictory. Sometimes, these distorted geometric forms convey a sense of playfulness.

I believe that viewers also enjoy some degree of challenge in a work of art. If a person feels that they fully comprehend a sculpture on the first viewing, they may never look as closely again. My aim is to reward those who ponder the significance of the forms and take time to explore different viewing angles or the variations in lighting and shadows at different times of day.

The work explores relationships between fine art and the subcultures of Americana found in hot-rodding, graffiti, and street art—all of which display extremely high technical values developed outside of academia. I identify with these values and am diligent in my attention to the quality and individuality of each work. While working, I think of the customization process that overturns the standardization of automobile mass production into vehicular uniqueness. I continually play with balance, both physical and aesthetic, creating a visual smoothness or sleekness, what I call “Super Sleek.”

The forms from nature that I have drawn from for these sculptures are taken from insect life-segmented, hard shelled bodies, robotic and armor coated, yet able to instantly take flight. The large scale of these otherwise small creatures comes from reality and fantasy of the prehistoric world.

Steel plate is my material of choice; man made and industrial in its purchased form. I enjoy the challenge of making something animated and weightless with iron. The possibilities have been endless for me in the way I have been able to transform this heavy material. Strong and durable, my sculptures withstand the test of time and I’ve had great success on public sites.

Outdoor sculptures have to function in a comprehensive way as a drive-by experience, as strong and dynamic silhouettes. With further exploration for the passer-by or neighborhood resident, a deeper appreciation and enjoyment can be explored walking around, under and through the pieces.

Art is not an instant snapshot. It is meant to be lived with and experienced. The importance of outdoor sculpture is that one does not have to go to a museum to experience it.

Martin Luther King Jr. liked quoting the prophet Jeremiah – “For I know the plans I have for you, declares the Lord, plans for welfare and not for evil, to give you a future and a hope.”

Seven human figures – various genders, ages, and shades from light to dark. Despite their differences they have one thing in common: they are all looking up. I thought that they might convey a sense of anticipation and hope for the future.